Hosn Suleiman (Khikhi temple) Archaeological Site حصن سليمان

 

Location: Tartus Governorate Map

 

Hosn Suleiman is an ancient archaeological site situated in Tartus Governorate of Syria. The closest cities to this site are Dreikish situated 20 km away and large city of Tartous at a distance of 56 km.

 

History

The first constructions probably took place parallel to the settlement of the area, in BC. They started in the countryside after the Persian conquest of 539. The temple was originally dedicated to a local version of Baal, who was identified with Zeus in Hellenistic times. The stream flowing through the temple courtyard was associated with the goddess Astarte. The region belonged to the sphere of influence of the island of Arvád, and the timber extracted here played a major role in the shipbuilding of the Phoenician state.

The remains visible today date back to BC. They come from the time of Roman rule in Syria starting with 64: the first constructions began in the 1st century, but the lion's share of the work was done during the reign of Septimius Severus, at the very end of the 2nd century. The emperors supported the cult here, the inscription of Valerianus and Gallienus dated 255 on the wall of the complex confirms the privileges of the local population. The sanctuary functioned until the 4th century, until then it was exempt from taxes and had control over the taxes of the surrounding population.

Next to the temple of Jupiter Baotoceceanus, you can also see another ruin with an undefined function (church or nymphaeum), which was later built into a Christian basilica. Because of the latter, it is customary to refer to this group of buildings with the name dajr, i.e. monastery. The authoritative description of the building was prepared by the Germans Daniel Krencker and Willy Zschietzschmann in the 1930s. Starting in 1990-91, the Syrian Directorate of Archeology carried out smaller excavations at the ruins.

 

The ruins

Husn Sulaymán's temple consists of a 134x85 meter courtyard and a sanctuary in the middle of it, following the general Syro-Phoenician model (other examples are found in Ugarit, Baalbek, Palmyra, Damascus and many other places). The walls of the courtyard, which are mostly still standing but have already fallen down in several places, were built of Cyclopean stones, some of which are up to 10x2.5 meters in size. In the middle of each wall is a gate, of which the northern one is the largest: a 15-meter-wide, triple entrance, which was joined by a portico consisting of eight to eight columns both inside and outside. The outer portico was decorated with a niche and two side entrances, and the above-mentioned emperor's inscription was also placed here. The northern wall is also decorated with a small lion relief at both ends.

The east and west gates are much smaller and less ornate, otherwise they are almost mirror images of each other. The common ground of the two eyebrow stones is decorated with carvings depicting an eagle and two people, and on the outside there is a niche on each side of the gates. These two gates are decorated with carvings of lion's heads on the side facing the courtyard, and human faces on the outside. On the outer wall of the eastern gate, an inscription in Greek from 171 commemorates the offering of the locals. The simple southern gate has not survived, its place is now occupied by a modern house.

The cell opening to the north is itself in a very dilapidated state, full of its own debris, but it can be determined that it belonged to the pseudoperipteros type. There were six columns in front of its main facade, and 39 steps lead up to them from the courtyard, which are divided by a smaller terrace: at that time, one of the sacrificial altars stood here. (A much larger one was placed to the east of the cell.) The remains of a staircase were also found inside the cell, which most likely led up to the roof terrace used for ceremonies.

The complex called dajr is now separated from the pagan church by a road. Its ruins are still used for agricultural production, besides some wall sections, there is only one spectacular part: a small church facade with two Ionic-style columns, decorated with an eagle relief.