Fontego dei Tedeschi, Venice

The Fontego dei Tedeschi (or, in Italian, Fondaco dei Tedeschi) is a palace in Venice, located in the San Marco district and overlooking the Grand Canal, adjacent to the Rialto Bridge.

 

History

Similarly to the Fontego dei Turchi, the Fontego dei Tedeschi is of ancient foundation (13th century) and linked to the commercial needs of the Republic of Venice: it was the landing point for goods transported by German merchants from Nuremberg, Judenburg and Augusta who stored them here. Here also the German-speaking populations who had a dedication agreement with the Serenissima operated for their trades, such as the inhabitants of the Altopiano dei Sette Comuni. In the late 14th century, the palace also housed the local offices of the Fugger family, well-known German merchants and bankers.

The original building was the victim of a devastating fire in the night between 27 and 28 January 1505, but in less than five months the Venetian Senate had already decided to rebuild it based on a project by Girolamo Tedesco. It was a complete reconstruction, which took place between 1505 and 1508. Unlike other palaces on the Grand Canal, it was decided not to resort to marble decorations or fretwork elements, instead embellishing the free backgrounds between the windows with frescoes , for which Giorgione and his young pupil Titian were named. According to Dolce, who wrote in 1557, Titian's Justice, painted on the side of the calle, was so beautiful that it was mistaken for the work of the master Giorgione, generating a conflict between the two.

In 1508 the conclusion of the works was celebrated with a solemn mass and in the same year a dispute over payment for Giorgione's frescoes suggests that the external decoration was also complete. towards 1760 the frescoes were still fairly legible, as demonstrated by a series of engravings by Anton Maria Zanetti.

Like the other fonteghi in the city, this one too was suppressed with the fall of the Republic in 1797.

The building has long been owned by the Italian Post Office. Sold in 2008 to the Benetton group for an amount of 53 million euros, it underwent a new static and functional recovery operation, under the artistic direction of the Dutch architect Rem Koolhaas, for its conversion into a shopping center also equipped with a cultural hub, which was opened to the public on October 1, 2016.

 

Description

External

A large complex overlooking the Rialto Bridge, the Fontego is a square-plan building arranged on three levels around an internal courtyard, covered by a glass and steel structure, where the ancient well is kept. On the ground floor, five large round arches close off a portico in dialogue with the Grand Canal, where goods were unloaded. The second level is crossed by a long row of mullioned windows and single-lancet windows which correspond symmetrically to the smaller quadrangular windows of the two floors above. The top of the building is crenellated.

Around 1508 the façade overlooking the Grand Canal was frescoed by Giorgione and Tiziano Vecellio, but today only a few fragments of their work remain, deteriorated by the atmospheric agents and by the humid and brackish climate of the lagoon, which were detached during the 20th century and today kept in the Galleria Franchetti at the Ca' d'Oro and in the Gallerie dell'Accademia.

 

Internal

The interiors also conserved priceless works by the painters Paolo Veronese, Tiziano Vecellio and Jacopo Tintoretto, of which almost all traces have been lost today. As evidence of the function that the building has performed over the centuries, the numerous symbols that the merchants engraved remain, above all on the stone of the columns, to indicate the rooms in which to deposit the goods.

The detached frescoes
The frescoes detached from the outside of the building (since 1937) were kept in various locations (Palazzo Ducale, Gallerie dell'Accademia), before being reassembled in the Ca' d'Oro.

Of Giorgione remain the Nude in a niche and fragments of female figures. Of Titian remain:

Stocking Companion, 241x159 cm
Judith/Justice, 212×346 cm
Fight of giants and monsters, 157x320 cm
Allegory, 157x328cm
Fighting of a putto with a dragon, 155x375 cm

 

 

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