Royal Museum of Fine Arts (Brussels) Musees Royaux des Beaux- Arts

Location: Rue de la Regence 3, Brussels
Tel. 02- 508 3211
Bus: 25, 27, 38, 60, 71, 95
Trolley: 92, 94
Subway: Centrale, Parc
Open: 10am- 5pm Tue- Sun
Closed: public holidays

www.fine-arts-museum.be

 

Description of Musees Royaux des Beaux Arts

Musees Royaux des Beaux Arts is a Royal Museum of Fine Arts that was formed in 1803 by uniting the old Museum of Art and the Museum of Modern Art located next to the Royal Palace of Brussels. Musees Royaux des Beaux Arts is situated in the downtown area on the Coudenberg. It contains a large collection of paintings and sculptures that belong to the state. Some of them date to the time of rule of Austrian kings. During Napoleonic Wars in the late 18th and early 19th century French revolutionary troops plundered Royal Museum of Fine Art in Brussels along with the whole region. They moved stolen goods to Paris. Only after defeat of the French Empire of Napoleon all confiscated masterpieces were returned to their homeland. Additionally kings William I and Leonid I purchased many art paintings to increase their magnificent museum. Royal Museum expanded considerably due to new works of Flemish, French and Italian painters. Much of the Royal Museum of Fine Arts is reserved for paintings of the Belgian masters dating to 14th- 18th centuries. Numerous halls of the Museum is designated in numbers and letters for easy way to find yourself around this large building. Today it contains over 20,000 works of art: paintings, sculptures and etc.

 

History

The Museum of Fine Arts opened its doors in 1803. Where Brussels art lovers used to look to their liking in churches and private collections, they could now visit a public museum that occupies fourteen rooms of the Oude Hof. It was Charles de la Serna Santander, director of the École Centrale, founded in 1797, who had conceived the plan to build a museum around the approximately 1500 works in the depots, originating from closed monasteries. Guillaume Bosschaert had selected about a hundred pieces for the collection and on October 13, 1798, was officially appointed curator of the museum of the École Centrale, which, however, had limited access. Thanks to the Chapter Decree, Brussels was promised a regional museum in 1801, and the following year even a few works that had been removed from the Louvre, including four Rubens, were returned. A second shipment of 31 paintings followed in 1811, the year in which the city of Brussels became owner of the museum. Four years later, Louis XVIII even restored a hundred or so discarded masterpieces. King Willem I of the Netherlands sponsored an expansion of the collection and had two wings added to the current Museumplein (the so-called Palace of National Industry, opened in 1830).

After Belgian independence, the concept of a national museum was developed in 1835. By an agreement dated December 31, 1842, the state took ownership of the city. Three years later, the Musée Royal de Peinture et de Sculpture acquired a contemporary art department. From 1862 to 1877, that department temporarily moved to the Academy Palace. The works of the old masters moved from the Oude Hof to Regentschapsstraat in 1887, giving a new destination to Alphonse Balat's Palace of Fine Arts, which opened in 1880. Modern art remained in the Oude Hof until 1962, ended up in a cramped housing on the Koningsplein until 1978, and then from 1984 found a connection with the old art in an underground complex with a light well, designed by Roger Bastin.

From 2004, the museum embarked on a restructuring program, with the aim of making the collections more accessible and reaching a wider audience. Curator Michel Draguet wanted to bring together different collections from federal institutions and to set up specific museums that better highlight a certain sub-collection. In 2009, the Magritte Museum was founded. In 2013, the Fin-de-Siècle Museum opened in the underground rooms, where since 1984 the museum of modern art was located.

 

Collections

Museum of Ancient Art
The collection of the Museum of Ancient Art includes around 1,200 works of European art from the 14th to the 18th century. The focus is on Flemish painting, with almost all artists represented with important works. The most important paintings include The Annunciation by Robert Campin, a Pietà and two portraits by Rogier van der Weyden, several religious depictions by Dierick Bouts, Petrus Christus and Hugo van der Goes, some portraits and the Martyrdom of St Sebastian by Hans Memling, the Virgin with Child and a triptych of the Brotherhood of St. Anne of Lions by Quentin Massys and a Venus with Cupid and two donor portraits by Jan Mabuse.

The museum owns entire groups of works by Pieter Brueghel the Elder, Peter Paul Rubens, Jacob Jordaens and Anthonis van Dyck. You can see from Brueghel:

The Fall of the Resisting Angels, The Adoration of the Magi, Winter Landscape with Skaters and a Bird Trap, The Bethlehem Census, Landscape with the Fall of Icarus and the Yawners.
The museum shows works by Rubens including:

Christ and the adulteress, negro heads, the adoration of the wise men, the carrying of the cross, the ascension (former monastery of the Discalced Carmelites), the martyrdom of St. Livinius, the martyrdom of St. Ursula, landscape with Atalantes hunting, portrait of Peter Pecquius, The Miracles of St. Benedict, The Fall of Icarus, The Fall of the Titans and a Coronation of Mary.
The pictures by Jacob Jordaens are in the museum:

Homage to Pomona, Saint Martin heals a possessed man, to see Susanna with the old men, Pan and Syrinx and Satyr and Peasant.
The paintings by Anthony van Dyck in the museum include:

Portrait of Jean-Charles della Faille, Portrait of Franz Duquesnoy, Portrait of a Genoese Lady and her Daughter, Rinaldo and Armida and a Crucifixion of Christ.
Other paintings of Flemish painting include An Outdoor Wedding by Pieter Brueghel the Younger, The Pantry and The Stag Hunt by Frans Snyders, Drinkers at the Table by Adriaen Brouwer, Flemish Funfair, The Card Players and a Still Life by David Teniers the Younger.

Dutch painting is represented in the museum with a few, but high-quality pictures. These include a group of children and some portraits by Frans Hals, the Portrait of Nicolaas van Bambeeck by Rembrandt, The Common Glass by Pieter de Hooch, The Meal by Gabriel Metsu and a view of the Haarlemersee by Jacob Izaaksoon van Ruisdael.

Examples of French paintings in the museum are Aeneas Hunting Deer on the Coast of Libya by Claude Lorrain, Fountain and Portico in a Park by Hubert Robert and Portrait of George Gougenot de Croissy by Jean-Baptiste Greuze. Other important works are The Death of Marat by Jacques-Louis David and Auguste écoutant la lecture de l'Enéide by Jean-Auguste-Dominique Ingres.

Italian painting is represented in the museum by some artists from the Venetian school. These include a Virgin and Child and St. Francis by Carlo Crivelli, The Martyrdom of St. Mark by Jacopo Tintoretto, The Divine Virtues by Giovanni Battista Tiepolo and a veduta by Francesco Guardi.

In addition to Adam and Eve and Venus and Cupid, the museum also owns the well-known portrait of Dr. Scheyring, which was reproduced on the 1000 DM note in Germany for many years.

 

Fin de siècle museum

The museum, which opened in 2013, shows works of art from the period 1868 to 1914, with a focus on Belgian artists. The collection includes sculptures by Constantin Meunier, often depicting workers and miners. The museum owns a Salomé by Alfred Stevens, the most famous representative of Belgian Impressionism, while Guillaume Vogels is represented with La neige, soir and Emile Claus with La récolte du lin and Les asters. There are also important artists of the turn of the century such as Henry van de Velde with Faits du village. VII. La fille qui remaille, Théo van Rysselberghe with La promenade, James Ensor with La musique russe and Fernand Khnopff, whose well-known work The Tenderness of the Sphinx is on display in the museum.

Other 19th-century works include a Paysage à Ornans by Gustave Courbet and a Portrait de Mlles Louise Riesener et Eva Callimaki-Catargi by Henri Fantin-Latour. Works by French artists of the turn of the century include Paul Gauguin's Portrait of Suzanne Bambridge, The Seine at the Grand Jatte, Spring by Georges Seurat, La calanque by Paul Signac, Les deux écoliers by Édouard Vuillard, a landscape by Maurice de Vlaminck and Auguste Rodin's sculpture Cariatide tombée portant sa pierre. There are also The Marriage of Psyche by Edward Burne-Jones, Vincent van Gogh's 1885 depiction of a peasant and a floral still life by Lovis Corinth.

 

Museum of Modern Art

Since opening in 1984, the museum has displayed works of art from the 19th century to the present day. After the opening of the Magritte Museum in 2009, the Museum of Modern Art was closed. The newly created Fin-de-Siècle Museum has been housed in the former museum building since 2013. A separate building is planned for art from the 20th and 21st centuries. The Vanderborght building in the city center near the Galeries Royales Saint-Hubert is intended for this purpose. A selection of modern works of art can be seen in temporary exhibitions in the Museum of Ancient Art until the museum opens its own building.

The museum's collection includes several works by the Surrealists. The museum has Le couple, Pygmalion and the Train du soir by Paul Delvaux, a railway motif typical of the artist. This work is complemented by L'armée céleste by Max Ernst and one of the most popular paintings in this department, The Temptation of Saint Anthony by Salvador Dalí.

From the artists' group CoBrA, one of whose centers was Brussels, paintings by painters Pierre Alechinsky, Asger Jorn and Karel Appel can be seen in the museum. The classical modern paintings in the museum include Portrait of Ernst Reinhold by Oskar Kokoschka, Two Children by Otto Dix, A View of Marseille by Raoul Dufy, Danseuse espagnole by Joan Miró, Les raisins by Georges Braque, Guitare et compotier by Pablo Picasso , Clair de lune, Moi et le village and Moi, Marc Chagall by Marc Chagall, L'éclipse by Francis Picabia and a flower garden by Emil Nolde and the sculpture Mirr by Hans Arp.

The works Le burg dévasté by Jean Dubuffet, Le pape aux hiboux by Francis Bacon, Homage to the Square by Josef Albers and sculptures by Henri Laurens, Rik Wouters and a mobile by Alexander Calder date from the period after the Second World War. The international contemporary art collection features works by Dado, Jannis Kounellis, Donald Judd, Ian Hamilton Finlay, Sol LeWitt, Francis Bacon, Dan Flavin, Panamarenko and Thomas Ruff. The group of works by the Belgian artist Marcel Broodthaers is particularly extensive.

 

Artist museums

In addition to the Magritte Museum in the city center, which opened in 2009, there are two artist museums in the Ixelles district of Brussels, which are also part of the Royal Museums of Fine Arts. The Antoine Wiertz Museum has been open to the public since 1868, while the Constantin Meunier Museum has only belonged to the Royal Museums since 1978.