Whim Plantation Museum

Location: Centerline Rd, Rt 76, Saint Croix
Tel.(340) 772 0598
Open: 10am- 4pm Mon- Sat

www.stcroixlandmarks.com

 

Description

The Whim Plantation Museum, officially known as the Estate Whim Museum, is a historic site located on the island of St. Croix in the U.S. Virgin Islands. Situated just 1.7 miles southeast of Frederiksted along Centerline Road, this 12-acre property stands as the oldest sugar plantation museum in the Virgin Islands and a poignant reminder of the region’s colonial past. Operated by the St. Croix Landmarks Society, the museum preserves and interprets the history of a typical 18th-century Danish West Indies sugar plantation, offering visitors a window into the economics, daily life, and cultural dynamics of the era, including the harsh realities of slavery.

 

Physical Layout and Structures

The Whim Plantation Museum encompasses 12 acres of what was once a sprawling 150-acre estate, with its current footprint preserving key elements of its original layout. The centerpiece is the Great House, an oval-shaped, neoclassical structure built around 1794 by Christopher MacEvoy Jr. Measuring approximately 90 by 35 feet (27 by 11 meters) with 16-foot-high ceilings, the Great House is distinctive for its curved ends and thick walls—30 inches of cut brain coral, limestone, and rubble bonded with molasses mortar. Its design includes tall windows and doors for cross-ventilation, a dry moat for cooling, and a cellar accessible via a door in the moat, historically used as a carpentry workshop. Though severely damaged by Hurricane Maria in 2017, with its roof and interior still under restoration, the Great House’s exterior remains a striking testament to Danish colonial architecture.

Adjacent to the Great House is the Cookhouse, a separate kitchen building where meals were prepared for plantation residents, reflecting the practical separation of cooking spaces common in tropical climates to reduce fire risk and heat indoors. The cookhouse connects to domestic quarters and an exhibit hall, offering a glimpse into the daily operations of the estate. Nearby, a Privy/Bathhouse—originally a latrine later converted by 20th-century owners—adds another layer of historical adaptation.

The plantation’s industrial past is preserved in its sugar-processing structures. The Windmill, a restored stone and coral tower, stands as the only surviving example of its kind on St. Croix. Inside, wooden rollers once crushed sugarcane to extract juice, which flowed via a sluice to the Sugar Factory Ruins. These ruins include copper vats where cane juice was boiled into muscovado (raw brown sugar), alongside a towering chimney and remnants of an animal-powered mill. A steam engine, installed in 1865, marks the estate’s transition to mechanized processing. Other features include a Watchhouse, a Carriage House, and foundations of laborers’ quarters, scattered across the grounds amid tamarind trees and wild cotton.

The gardens themselves are a living exhibit, featuring native plants with medicinal uses—such as ginger and allspice—alongside fruit trees and herbs, reflecting the plantation’s self-sustaining nature. Though reduced from its original size, the grounds retain a somber, evocative atmosphere, enhanced by the quiet rustle of foliage and the distant hum of history.

 

Historical Context

The Estate Whim traces its origins to the 1730s, when the Danish West India and Guinea Company laid out agricultural plantations across St. Croix following Denmark’s colonization of the island in 1733. First documented in 1743 under Christopher MacEvoy Sr., the estate initially grew cotton, but by 1754, sugar emerged as the dominant crop, a shift that persisted until the 1920s. At its peak from 1760 to 1820, St. Croix was one of the West Indies’ richest sugar islands, with Whim among its 218 plantations supporting a population of 30,000—26,500 of whom were enslaved Africans who cultivated and processed cane under brutal conditions.

Ownership passed through 12 families over nearly two centuries, with the MacEvoys leaving a lasting mark through the Great House’s construction. Sugar production declined in the 19th century as global prices fell and competition grew, giving way to cattle ranching by the 1920s. In 1932, the U.S. federal government purchased the entire estate during an unsuccessful homesteading experiment following the 1917 transfer of the Virgin Islands from Denmark to the United States. By 1954, the St. Croix Landmarks Society acquired 12 acres on a 99-year lease, transforming the dilapidated site—then overrun with weeds, bats, and centipedes—into a museum. Restoration efforts, fueled by donations and local expertise, furnished the Great House with antiques from island families and the Pentheny Hotel auction of 1962, recreating its 18th-century elegance.

Listed on the National Register of Historic Places in 1976 and recognized by UNESCO’s Slave Route Sites of Remembrance, Whim stands as a rare preserved example of Danish colonial plantation life. Hurricane Maria’s devastation in 2017, which inflicted over $1 million in damage to the Great House alone, has left parts of the museum closed, but its grounds and open structures continue to tell its story.

 

Visitor Experience

The Whim Plantation Museum operates Wednesday through Saturday from 10 a.m. to 3 p.m., as well as on cruise ship days (except Sundays), with admission priced at $10 for adults and $5 for children ages 7–12, free for St. Croix residents on Saturdays. Located less than 3 miles from Frederiksted, it’s a 5–10-minute drive from the town’s pier, accessible via taxi ($10–$15 USD) or rental car. Google Maps directions can mislead into nearby neighborhoods; instead, visitors should head toward Frederiksted from the island’s lone Kmart, watching for a sign on Route 70 pointing left to an expansive dirt-and-grass driveway with a roundabout for parking.

Visits begin at the Orientation Room, an 1890s kitchen addition to the Great House, where guides introduce St. Croix’s plantation history using a windmill model, rum barrels, and rare 1794 William Clark prints depicting the sugar process. Though the Great House interior remains closed post-hurricane, guided tours (when staff are available) explore its exterior and lead to other structures, offering insights into plantation life for both owners and enslaved workers. The self-guided option, included in admission, allows 1–2 hours to wander the cookhouse, sugar mill, factory ruins, and grounds, with signage providing context—though some visitors note a need for more detailed markers.

The Living Museum is a highlight, featuring Crucian “tradition bearers” who demonstrate cultural practices like conch shell blowing, quelbe music (a folk genre with banjo and gourd rhythms), and candy-making, connecting past to present. Rotating exhibits in the North and South Exhibit Halls showcase local art and history, while the Research Library & Archives, accessible by appointment (340-719-7129 or library@stcroixlandmarks.org), offers genealogical and photographic resources for deeper exploration. The experience is both educational and reflective, with the somber slave quarters and sugar mill evoking the estate’s harsh realities, tempered by the beauty of its gardens and the warmth of its guides.

 

Cultural and Ecological Significance

Culturally, Whim Plantation Museum preserves the legacy of St. Croix’s sugar economy and the enslaved Africans who powered it, offering a tangible link to the Danish West Indies era. Its artifacts—antiques, plantation tools, and historical records—alongside living traditions, celebrate Crucian resilience while confronting the brutality of slavery. Recognized as one of America’s 11 Most Endangered Historic Places in 2024 by the National Trust for Historic Preservation, it underscores the urgency of preserving such sites amidst natural and funding challenges.

Ecologically, the gardens highlight native botanicals and their uses, a small but vibrant echo of St. Croix’s natural heritage. Though not a primary conservation site, its preservation efforts maintain a historical landscape that once dominated the island, contrasting with modern development.