Urquhart Castle

Urquhart Castle

Location: Scotland Map

Open: 1 Apr- 30 Sept 9:30am- 6pm

1 Oct- 31 Oct 9:30am- 5pm

1 Nov- 31 Mar 9:30 am- 4:30pm 

Tel: 01456 450551

 

Description

Urquhart Castle

Urquhart Castle is one of the largest and most important medieval castles in Scotland.  Urquhart Castle stands on the shore of the Loch Ness Lake close to a village of Drumnadrochit along A82 road. Despite it present poor condition it is still one of the most visited sites in Scotland. This interest lies partially in the castle itself and partially due to numerous sightings of the legendary Nessie that said to inhabit the lake of Loch Ness. This location was used for defensive purposed for the past 4000 years. Unfortunately little information is known from the first hand accounts. The last citadel build here was no later than early 13th century. English kings Edward I captured this castle in 1296 during his campaign against the Scots of the Highlands. The castle changed several times in the course of its history. Unfortunately it was blown up in 1692 by Williamite troops to prevent rebellious Scottish Jacobite forces to use it as their stronghold. The remains of whole portions of walls are still littering of what used to be one of the best defended castles in the region.

Urquhart Castle

 

History

Origins and Foundation (Pre-13th Century)
The site's name, derived from Old Irish and Welsh words meaning "promontory by the thicket," hints at early occupation. Archaeological evidence, including vitrified stone from intense heat-fused fortifications, points to a Pictish fort active between the 5th and 11th centuries on the rocky knoll at the southwest corner. Adomnán's Life of Columba (c. 697) describes St. Columba visiting Airdchartdan around 562–586 to convert the Pictish nobleman Emchath and his son Virolec on their deathbeds, potentially at this site. Columba's encounter with a "water beast" in the River Ness is often linked to early Loch Ness Monster lore. Excavations in 1983 by Professor Leslie Alcock confirmed an extensive early medieval fort, possibly Emchath's residence.
No definitive evidence exists for a 12th-century royal castle under William the Lion, though some historians speculate it may have had royal status. The documented stone castle began in the early 13th century when King Alexander II suppressed the Meic Uilleim rebellions in 1229 and granted the lands to his usher, Thomas de Lundin (later Durward). It passed to his son Alan Durward, who likely built the initial structures centered on a motte at the southwest.

Medieval Period and Wars of Independence (13th–14th Centuries)
The first historical record dates to 1296 during the Wars of Scottish Independence, when Edward I of England captured the castle and appointed Sir William Fitz Warin as constable. In 1297, Scottish leader Andrew de Moray ambushed Fitz Warin en route from Inverness and laid siege, but the English held out until relieved. The Scots regained control by 1298, only for Edward to reclaim it in 1303, granting it to Alexander Comyn.
Robert the Bruce seized it in 1307 after defeating the Comyns, incorporating it into royal holdings. It became one of five key Scottish-held castles in 1333. Under David II (r. 1329–1371), who hunted there in 1342—the only confirmed royal visit—it was managed by constables like Sir Robert Lauder. Raids by the MacDonald Lords of the Isles began, with Domhnall of Islay seizing it in 1395 and holding it for over 15 years.

Later Medieval and Clan Conflicts (15th–16th Centuries)
The 15th century saw continued MacDonald aggression: Alexander of Islay raided in 1437, and John of Islay captured it in 1452 but forfeited it in 1476 after allying with England. Briefly granted to the Earl of Huntly, it was awarded to Clan Grant in 1509 by James IV in perpetuity, including Glen Urquhart estates, on condition of repairs. The Grants rebuilt extensively, but faced raids, including post-Flodden (1513) by Sir Donald MacDonald and the devastating "Great Raid" of 1545 by MacDonalds and Camerons, who looted vast livestock and goods.
A poignant tale from this era involves Gaelic bard Dòmhnall Donn MacDonald, imprisoned around 1600 for cattle rustling (or romancing the Grant chief's daughter), who composed love songs before his execution. Covenanters robbed it in 1644, reflecting ongoing instability.

Architectural Developments
Urquhart's layout is triangular on a promontory, defended by a 30m dry moat, stone causeway, and drawbridge. It features a figure-of-eight plan with Nether (north) and Upper (south) baileys. The 13th-century shell keep on the motte included north and south towers; 14th-century curtain walls were later heightened. The Grant Tower, a five-storey keep (12x11m, 3m-thick walls), was rebuilt in the 16th century on 14th-century foundations, with bartizans, machicolations, and a spiral staircase. The Nether Bailey housed the 16th-century gatehouse with D-plan towers, great hall, chambers, kitchens, and a possible chapel. The Upper Bailey included a 16th-century watergate, doocot, and smithy. Artefacts like the 15th-century Urquhart Ewer, brooches, and coins highlight its domestic life.

Decline and Destruction (17th–18th Centuries)
Abandoned by the mid-17th century as clan warfare declined, it was garrisoned by 200 government troops in 1688–1690 during the Jacobite Risings. Besieged by 500 Jacobites, the defenders held out; upon withdrawal in 1692, they blew up the gatehouse to deny it to enemies, leaving a large masonry chunk visible today. Parliament compensated the Grants £2,000, but no repairs followed. Locals plundered materials, and a 1715 storm collapsed the Grant Tower's southern wall. By the 1770s, it was a roofless romantic ruin.

Modern History and Current Status
In the 19th century, under the Countess of Seafield, it became a tourist attraction. Transferred to state care in 1913 via the Office of Works (now Historic Environment Scotland), it was excavated in the 1920s. A visitor centre and car park were added in 1994–1998. It hosts weddings and features a full-sized trebuchet replica. With 547,518 visitors in 2019, it holds awards like Green Tourism gold and a 5-star rating. Culturally, it's linked to Loch Ness Monster sightings (e.g., 1955 photo, 1977 hoax) and films like The Private Life of Sherlock Holmes (1970) and Loch Ness (1996). As a scheduled monument, it offers audio guides and views of Loch Ness.

 Urquhart Castle

Architecture

Urquhart Castle, dramatically situated on Strone Point along the northwestern shore of Loch Ness in the Scottish Highlands, is one of Scotland's largest medieval castles by area and a key strategic site guarding the Great Glen route and the entrance to Glen Urquhart. The castle's origins trace back to an early medieval vitrified fort (5th–11th centuries), with the main stone structures built from the 13th century onward. It served as a royal stronghold during the Wars of Scottish Independence, passed through various clans including the Durwards, Comyns, and MacDonalds, and was granted to the Clan Grant in 1509, who remodeled it extensively. The castle witnessed raids, sieges, and rebuilds until its partial demolition in 1692 to prevent Jacobite use, after which it fell into ruin. Today, managed by Historic Environment Scotland since 1912, it is a major tourist attraction with over 300,000 annual visitors, offering panoramic views of Loch Ness and preserved as a romantic ruin.

Overall Layout and Site Planning
The castle occupies a triangular promontory jutting into Loch Ness, with the walled area forming a rough figure-8 (or "spectacles") shape, measuring approximately 150 meters (492 feet) long by 46 meters (151 feet) at its widest, aligned northeast-southwest. This layout divides into two main enclosures: the northern Nether Bailey (or Outer Close) on lower ground, which became the primary focus from the 14th century and houses most intact ruins, and the southern Upper Bailey (or Service Close) on higher terrain, centered on a rocky mound that was the site's earliest fortification. The baileys are connected by a narrow "bridge" or neck of land at the site's lowest point, with the entire complex defended by steep slopes to the loch on three sides and a wide dry moat (up to 30 meters/98 feet across and 5 meters/16 feet deep) on the landward (western) approach.
Access is via a stone causeway over the moat, leading to a 16th-century gatehouse; originally, a drawbridge spanned the moat's center, and the causeway's castle end was walled to form a barbican-like enclosure for defense. The site's natural topography—rising from loch level to the southwestern mound (the highest point)—influenced the layout, with buildings clustered against curtain walls for protection. Ancillary structures, such as stables and a smithy, were likely in the Upper Bailey, while the Nether Bailey contained residential and administrative buildings. Excavations in the early 20th century and 1983 revealed prehistoric and early medieval layers, confirming the site's long evolution.

Key Structures: Grant Tower, Gatehouse, and Ranges
The Grant Tower, the castle's dominant feature and tallest surviving element, anchors the northern tip of the Nether Bailey. This rectangular tower house measures 12 by 11 meters (39 by 36 feet) with walls up to 3.7 meters (12 feet) thick, standing about 15 meters (50 feet) high across four to five storeys (though partially collapsed on the south side due to an 18th-century storm). Built on 14th-century foundations but largely rebuilt in the 16th century by the Grants, it includes corbelled bartizans (overhanging corner turrets) at the parapet, machicolations (projecting galleries for dropping missiles) over the main west door and east postern, and a circular spiral staircase in the east wall. The interior featured a first-floor hall, upper chambers, attic spaces in the turrets, large 16th-century windows with defensive pistol loops below, and its own protective ditch with a drawbridge accessed from an inner close gated off from the bailey.
South of the tower, along the 14th-century curtain wall (thick and buttressed), is a range of buildings: a central great hall (about 24 by 15 meters/80 by 50 feet) with 3-meter-thick (10-foot) walls, likely used for feasts and assemblies; northern private apartments including a great chamber and solar for the lord; and southern kitchens with vast fireplaces and service areas. Foundations in the Nether Bailey's center suggest a chapel on a slight mound, with a rectangular layout and possible altar remnants.
The gatehouse, on the Nether Bailey's western side, comprises twin D-shaped towers flanking a barrel-vaulted arched passage (3 meters/10 feet wide), defended by a portcullis, double doors, and guardrooms. Rebuilt in phases, it included upper rooms for the keeper and was blown up in 1692, leaving collapsed masonry.
In the Upper Bailey, the southwestern rocky mound holds the citadel or shell keep—an irregular rhomboid enclosure with 2.6-meter-thick (8.5-foot) walls of striated masonry, incorporating a pentagonal tower projection, internal chambers, and a fireplace. This 13th-century structure overlays the vitrified fort. Opposite it, ruins include a 16th-century doocot (pigeon house) base and 13th-century building foundations (possibly an early hall, later a smithy). A watergate in the eastern wall provides loch access, with adjacent structures potentially for stables or storage.

Architectural Styles and Evolution
Urquhart's architecture blends early medieval fortification with later medieval castle elements, evolving from a 13th-century motte-and-bailey or shell keep design (unusual for Scotland, differing from contemporaries like Kildrummy) to a 16th-century tower house complex. Initial 13th-century work under Alan Durward featured the shell keep on the vitrified mound, thick curtain walls, and basic enclosures. The 14th century saw strengthened defenses amid MacDonald raids, including buttressed walls and embrasures. Royal funds in the 15th century (e.g., 1437 and 1447) added buildings and repairs.
The Grants' 16th-century remodels introduced Renaissance influences: larger windows, bartizans, and domestic comforts in the tower and ranges, shifting from pure defense to residence. Styles include Romanesque arches in the gatehouse, Gothic elements in window tracery, and defensive features like loops, embrasures, and garderobes (one possibly a prison turret). By the 17th century, it was no longer a primary residence, with repairs ceasing after 1676.

Materials and Construction Techniques
Primarily constructed from local stone (rubble with ashlar dressings for finer elements), the walls feature striated masonry in early parts and vitrified stone (fused by intense heat) from the prehistoric fort. Curtain walls vary in thickness (up to 2.7 meters/9 feet), with buttresses for support and lime mortar bonding. Construction involved excavating the moat from bedrock, building on uneven terrain with terracing, and incorporating defensive projections like turrets. Later additions used skilled masonry for corbelling and vaulting, with timber for roofs, floors, and drawbridges (now lost).

Notable Features and Historical Modifications
Standout elements include the vitrified fort remnants, the watergate for boat access (crucial for supply during sieges), the doocot for food production, and the Grant Tower's panoramic views through west-facing windows. Modifications reflect turbulent history: post-1296 English occupation added defenses; 14th–15th-century raids prompted reinforcements; Grant-era rebuilds (post-1509) enhanced habitability; and 1692 destruction focused on the gatehouse. Storms in 1715 and local stone plundering accelerated decay. Excavations (1912 onward) uncovered artifacts, and modern interventions include pathways and stabilization for visitors.

Current State as Ruins
As ruins, Urquhart evokes medieval grandeur with substantial walls, towers, and foundations intact, though roofless and floorless. The Grant Tower remains climbable via modern stairs, offering Loch Ness vistas. Historic Environment Scotland maintains the site as a scheduled monument, with a visitor center displaying artifacts like a trebuchet replica. It's a focal point for Loch Ness tourism, blending history with natural beauty.