Church of Sant'Anna, Venice

 

The church of Sant'Anna is a religious building in the city of Venice, located in the Castello district, overlooking the foundations of the same name.

 

History

The presence of small Augustinian communities in the area led to the need to build new monasteries, and in 1240, thanks to the bequests of a certain Andrea, Giacomo da Fano was commissioned to purchase a suitable territory. In 1242 in the area between the Rio di Castello and the Canale di San Pietro, with the concession of Bishop Pietro Pino, a convent dedicated to Sant'Anna and Santa Caterina was erected.

In the thirteenth century the convent passed to the Benedictine nuns, but during the second French occupation (1806-1814), as a result of the decree of 28 July 1806, the church of Sant'Anna was suppressed and the 31 nuns were aggregated to the sisters of Saint Lawrence.

Systematically stripped of all sacred furnishings, in 1817 the five altars together with the floor were moved to the church of San Biasio ai Forni, which in the meantime had been reopened for worship, after having suffered a long period of abandonment.

By decree of April 25, 1810, the convent became a Marine College. After the annexation to the Kingdom of Italy, in 1867 it was transformed into a hospital of the Regia Marina and the church hall was divided into two floors by an attic.

 

Description

The original building had a basilica plan, with three naves and a Gothic layout, linked to the Venetian-Byzantine style, initially covered by a flat ceiling which has now been lost.

Since the ancient church was in ruinous conditions, its complete rebuilding began on 4 October 1634 based on a project by Francesco Contini. The works were completed in 1659 and the consecration with the sole title of Sant'Anna was officiated by the patriarch of Venice Gianfrancesco Morosini. The new church, except for the orientation which remained unchanged, had however radically changed its appearance, now presenting itself with a single hall. On the internal sides there are Corinthian columns, which support the entablature.

An inscription recalls the sacrifice of marangoni, caulkers, oarsmen and sawyers, workers of the Venice Arsenal.

The church is deconsecrated.

 

 

 Домашняя