GUM (department store) (Moscow)

GUM (department store) Главный универсальный магазин (Moscow)

 

Location: Red Square
Tel. (495) 788 4343
Subway: Ploshchad Revolyutsii, Okhotnyy Ryad
Open: 10am- 10pm daily
www.gum.ru

 

The department store GUM (Russian Торговый Дом ГУМ, transcription Torgowy Dom GUM; abbreviated from Главный универсальный магазин, Glawny uniwersalny magasin, to German main department store) is a former department store and today a shopping center in the Russian capital Moscow. With an area of around 75,000 m² and a history spanning more than 100 years, it is one of the best-known trading companies and, according to the old concept, was the largest department store in Europe.

The GUM building is located in the heart of Moscow on Red Square, opposite the Lenin Mausoleum and the Kremlin. It was built in 1893 to designs by Alexander Pomerantsev and Vladimir Shukhov as the Upper Commercial Rows (Верхние торговые ряды, Verchnije torgovye rjady) and today represents an important monument of Russian historicist architecture of the late 19th century. It was closed for decades in Soviet times and later became a state department store (Государственный универсальный магазин, Gossudarstwenny uniwersalny magasin), the GUM also has a very checkered history.

 

General

The GUM department store is located on the western outskirts of the old business district of Kitai-Gorod in the Central Administrative District of Moscow, right in the historical core of the city. The department store building occupies an approximately rectangular area between Red Square, Nikolskaya Street, Vetozhny Lane and Ilyinka Street and has ten entrances on all four sides of the building. In the immediate vicinity of the GUM are St. Basil's Cathedral, the Ploshchad Revolyutsii metro station and the Moskvorezki Bridge over the Moskva.

The interior of the building, 250 meters long and 88 meters wide, accommodates around 200 separate shops of different sizes on three floors along three glass-roofed longitudinal passages (also known as lines) and three transverse passages as well as the galleries on the two upper floors connected by bridges on both sides . In terms of functionality, the GUM is therefore no longer a typical department store, but rather a shopping center. Nevertheless, it is still commonly called a department store today, as this term has become firmly established since Soviet times, when trade was uniformly in the hands of the state. Overall, the sales area of the GUM is around 35,000 m² with a total area of 75,000 m². The average number of visitors is currently around 30,000 customers per day.

The GUM building is owned by the City of Moscow and has been operated since 1990 by the joint-stock company Warenhaus GUM, founded in the same year, which has lease rights to the building until 2042. 75 percent of the GUM shares are currently held by the Russian fashion house chain Bosco di Ciliegi, the rest is in free float. In addition to GUM, the company also ran the department store chain Stilny Gorod and a number of former state-owned shops in Moscow until 2005. The operating company's net profit in 2006 was around 27.7 million US dollars on sales of 97.2 million dollars.

Due to the central location of the house and the resulting high rents for the premises, most shops are now primarily aimed at wealthy customers. This is especially true of the shops in the arcades on the ground floor, which are mostly upmarket boutiques and specialty shops for expensive branded clothing and shoes, as well as jewelry salons. Several well-known German manufacturers are also represented with their company shops in the GUM, including adidas, Hugo Boss, Puma and Salamander. The third floor of the house is a bit cheaper and houses several restaurants, including a Russian fast-food restaurant, in addition to a few shops in the middle price range. In addition, the GUM today includes perfume shops, souvenir, toy and household goods shops as well as computer and multimedia shops.

 

Architecture

The GUM building was built in 1890-1893 to a design by architect Alexander Pomerantsev (1849-1918) with the assistance of engineer Vladimir Shukhov (1853-1939). Overall, the building is assigned to the so-called neo- or pseudo-Russian style, a style of historicism for which a mixture of Russian-traditional architecture of the 15th and 16th centuries with neoclassical, Western European elements is typical.

The Old Russian influence is evident in the building's facades, which Pomerantsev designed in reference to the architecture of the surrounding neighborhoods, including the Kremlin and the neighboring Historical Museum. Typical of this are the large arched windows, stylistically based on Russian Orthodox church buildings, the two pointed towers in the central area of the building, which are reminiscent of some of the Kremlin towers, and shaped in the style of the Terem Palace and similar noble residential buildings of the 16th century roof sections. However, some elements of the European Renaissance can also be seen on the GUM facades, such as the numerous ornaments in the area of the windows and arcade-like portals at the entrances. This is also characteristic of Pomeranzew's work, since he lived and practiced in other European countries - including Italy - from 1879 to 1887 and was inspired by the architecture there. Around 40 million bricks were used in the construction of the entire building. The outer walls were faced with granite, marble and limestone. The facade facing Red Square was designed most elaborately, in the middle of which is the central entrance to the department store: the first floor is covered here with marble from Tarussa, which makes the facade appear lighter in its lower part than in the middle and upper, and with a massive cornice separated from the two upper floors.

In contrast to the facades, which are primarily based on the traditions of old Russian architecture, the interior of the GUM was created in a style that was very modern for the end of the 19th century and was based on European architecture and provided with numerous steel and glass elements. The transparent, concave roof constructions over the three longitudinal passages, each with a span of 15 m and a length of 250 m, are unique for the time and are still striking today. They were created according to the design of Vladimir Shukhov, who used around 60,000 panes of glass supported by metal elements with a total weight of 833 tons. A few years later, Shukhov designed a similar construction for the Kiev railway station and a number of other public buildings in Moscow.

The floors of the building were connected by lateral stairwells, which were only added to the transverse passages by escalators in the course of building renovation work in the early 2000s. The galleries on the two upper floors are connected by reinforced concrete bridges, which were erected during the construction of the department store based on a design by engineer Arthur Loleit (1868–1933). Storage rooms and visitor toilets are located in the basement of the building.

Another striking structure inside the GUM is the fountain, which is located in the center of the building, at the intersection of the two central longitudinal and transverse passages. It was placed there a few years after the opening of the department store and originally had a circular basin, which was replaced by an octagonal basin made of red quartzite during the 1953 renovation. The focal point of the fountain is a mushroom-shaped bronze construction, the tip of which extends to the level of the first floor. The fountain is supported by special metal pillars located just below it in the basement. Exactly above the center of the building with the fountain, the glass roof construction assumes the shape of a dome. The fountain still serves as a meeting place for many Muscovites today.

 

History

The Upper Trading Rows up to the 19th Century

As can be seen from various documents of the time, the districts immediately east of Red Square were already characterized by trade before the 17th century. Also on the square itself, which was already the central square of the city at that time, there were many sales stands. In places they reached up to the walls of the Kremlin, which was the tsar's residence until the beginning of the 18th century. As Moscow's population grew in the late 18th century, street trading in the heart of the city also expanded; in the second half of the century, the entire area between Red Square and the streets bordering on it to the east resembled a huge marketplace. The term Upper Commercial Rows (Russian: Верхние торговые ряды, Verchnije torgowye rjady) had come to be used for the area directly adjacent to Red Square, while the marketplaces of the two districts on the slope down to the Moskva bank to the east of the Basilius -Cathedral were accordingly called Middle and Lower Trading Rows. Some street names - such as Fish Lane (Russian Рыбный переулок, Rybnyi pereulok) or Lead Crystal Lane (Хрустальный переулок, Chrustalnyi pereulok) - are still reminiscent of the time when only street trade was carried out in the area of Red Square and certain goods were sold - besides Fish and lead crystal, for example vegetables, butter, gold, silver or silk - formed their own rows of markets.

The first attempts to bring the disorderly trading activities around Red Square under one roof were made in the second half of the 18th century. In the 1780s, some particularly influential Moscow merchants managed to obtain permission from the tsar to construct a two-story brick building east of Red Square, so that it could be relieved of the brisk commercial activity that also impeded access to the Kremlin. A few years later, the first forerunner of today's GUM was the commercial building, which continued to be known as the Upper Commercial Rows and united countless sales booths behind its facade. At about the same time, the traders also had a similar complex built on the middle trading rows. The conception of both houses is attributed to the renowned architect Giacomo Quarenghi, an exiled Italian who designed several buildings, mainly in Saint Petersburg, that are still well-known today, including the Smolny Institute.

However, the newly built trading houses did not last long. Although they were not made of wood, as was usual in Moscow at the time, but of brick, they burned down almost completely in 1812 when some townspeople set fire to large parts of Moscow when French troops were approaching in the war against Napoleon. After the war, however, trade quickly flourished again and the trade lanes had to be rebuilt. The architect Joseph Bové, who, like his predecessor, had Italian roots and was best known for his decisive role in the reconstruction of Moscow after the great fire of 1812, was commissioned with the reconstruction. In 1814-1815 the Upper Trading Rows were restored to their original location according to his Empire-style design and would henceforth be the center of Moscow commerce for decades to come. This second GUM precursor also essentially consisted of the representative facades, which housed numerous and mostly chaotically arranged shop houses inside. What the upper trading rows must have looked like from the outside can still be seen relatively well today in the very similarly designed former building of the middle trading rows, which stands diagonally opposite today's GUM on Iljinka Street (location: ♁▼) and is now called exhibition hall is used. The arcade-like portals that line all four facades of the building served as entrances to the individual shops behind them in the 19th century.

However, neither the now massive construction of the upper trading rows nor the reputation of their architect could hide the fact that the building showed structural defects just a few years after its completion. Increasingly, this led to water penetrating into the interior of the house during heavy rainfall and damaging inadequately covered goods. Since the individual stalls belonged to different owners, it was extremely difficult to coordinate a thorough renovation of the building. By the middle of the 19th century, the rows were in such poor condition that renovation seemed futile and the building could only be maintained in a makeshift manner. The calls for demolition became louder and louder in the population, so that finally in 1869 the Governor General of Moscow also demanded a new building.

However, it was initially very difficult to convince the owners of the shops that the demolition was necessary; many of them feared for their existence and initially put up massive resistance to the closure plans. Progress only began in the 1880s, after a respected merchant suggested building a new, three-story building complex in the place of the old rows according to contemporary structural standards, from the construction of which the previous owners would also benefit. Since trading in the heart of Moscow has long been a very lucrative affair, according to the plans it should not be a problem to find sufficient financiers, i.e. shareholders, for the construction project. And so, on May 10, 1888, a new joint-stock company was founded, which received the name of the Company of the Upper Commercial Rows on Red Square in Moscow.

 

From the tender to the opening

In the first months after the establishment of the company, the shares were issued, with a certain part of them being distributed to the former owners of the trading rows according to their respective shares in the old building. The remaining shares could be purchased at a price of 100 rubles each. The sale went extremely well: around ten million rubles were collected in the first few days. After sufficient capital was available, the company announced an architectural competition for the new commercial rows on November 15, 1888. Almost at the same time, the old trading house was closed and demolition work began immediately.

In the tender, the chain trade company placed particular importance on fair and neutral competition. In order to prevent collusion, preferential treatment and similar incidents, the competition was carried out anonymously; the names of the participating architects remained top secret until the results were announced and were not accessible to the jury. A total of 23 designs were submitted. After the jury had appraised them, they announced their decision on February 21, 1889: the first prize, endowed with 6,000 rubles, went to the design submitted by Alexander Pomeranzew and Vladimir Shukhov. Pomerantsev was a professor of architecture at the St. Petersburg Art Academy and was therefore already a well-respected person in Russian architectural circles, while the young engineer Shukhov was still completely unknown at the time - his most famous buildings, such as the Moscow radio tower, were not built until decades later. The experts praised Pomerantsev and Shukhov's project as, literally, "rational and economical" and at the same time architecturally very well in harmony with the old Russian ensemble around the Moscow Kremlin. The merchants involved in the company particularly liked the glass roofing of the passages designed by Vladimir Shukhov, which stylistically linked to similar commercial passages that were just becoming fashionable in European metropolises such as Milan, Paris or Vienna. In Russia, such a construction was completely unknown until then.

The three winning designs finally went to Saint Petersburg to be appraised by Tsar Alexander III. He praised the jury's decision and then issued the building permit for the new retail rows. The laying of the foundation stone took place on May 21, 1890, and was attended by almost all of Moscow's celebrities, including the governor general. A commission set up specifically for this purpose monitored the construction work over its entire three-year course, paying particular attention to compliance with the specified time and budget, as well as the structural condition of the building being built and the quality of the building materials used, which were supplied by well-known Russian manufacturers. Great importance was also attached to the quality of the workforce: when recruiting craftsmen from other regions of the Russian Empire, the reputation of the respective profession in the region was always taken into account. Meanwhile, the Moscow public followed the construction work closely; the newspapers reported on the construction almost every day, and even in other European countries the Moscow construction site with its enormous dimensions was mentioned in the print media. Around two years after the start of construction, the building was complete with the exception of the interior fittings and could be entered and viewed by its shareholders. In the autumn of 1893, the trading series were finally completed and inaugurated with a solemn ceremony on December 2 of the same year.

 

The heyday

The opening of the new trading house in the heart of Moscow was a major event that resonated well beyond the borders of the Russian Empire. In addition to the innovative glass roof, through which a lot of daylight penetrated into the interior of the building, the new retail aisles had interior fittings that were very modern for the time, including central heating, several electrically operated freight elevators - also an absolute novelty at the time - and even included an in-house power station for power supply in the basement. After sunset, around 7,000 electric light bulbs illuminated the passages.

Within a few days, the upper trading rows became a crowd puller and a tourist attraction in Moscow, which at that time already had almost a million inhabitants. Even those who couldn't afford to shop there came to see the superlative new department store. The arcades on the ground floor were like a covered promenade where it was summery warm even in winter.

Above all, however, wealthy citizens got their money's worth here. The range of products in the originally almost 350 shops, which were spread over four floors including the basement, ranged from sweets and delicatessen to various domestic and foreign perfumery products, fashion items, furs, wristwatches and fine jewelry to furniture and sanitary technology. For the first time in Russia, price tags were used in the trading rows and thus initiated the transition to a completely new trading culture, which stood out from the haggling in street trades and smaller shops that had been common until then. The most well-known Russian and foreign producers presented their goods here and offered them for sale with a lot of advertising, which ultimately paid off despite the extremely high rents for the shops (especially for those on the ground floor). In addition to almost all possible goods, customers of the trading series could use a wide range of accompanying services, including porters for the transport of purchased goods, several catering establishments, a bank branch, a post office, a hairdressing salon and even a dentist's office. The upper floor of the department store also housed an event hall in which concerts and art exhibitions occasionally took place.

For more than twenty years, from its opening until the end of the Tsarist Empire, the Upper Rows of Trade was the center of economic and social life in Moscow and was considered one of the best department stores in the world due to its comprehensive, high-quality range and the exemplary service of the time. For this reason, they attracted millions of visitors from Russia and abroad.

 

After the revolution

A few months after the October Revolution of 1917 and the seizure of power by the Bolsheviks, the new rulers began to nationalize the upper trading ranks. The shops in the building closed one after the other, because even for smaller shopkeepers, who were initially spared from the forced expropriation, trading in the rows that were becoming increasingly empty was no longer worthwhile. However, the state power used a large number of vacant shops as premises for newly formed ministries and other state institutions; a former posh perfume shop became the seat of the People's Commissariat for Food Distribution.

In 1921, trade in the upper echelons, which had come to an almost complete standstill, revived for a few years when the New Economic Policy initiated by Lenin permitted private trade. At the same time, the department store received its current name GUM, which stood for Gosudarstvenny Uniwersalny Magasin (Государственный Универсальный Магазин), ie State Department Store, at that time and throughout the period of socialism. Also, the range of GUM in the 1920s was not nearly as rich and elegant as before the revolution; it was essentially limited to everyday objects and propaganda needs such as red flags or portraits of Soviet statesmen.

With the end of the New Economic Policy in the early 1930s, however, trading in the GUM finally came to an end. The shops were cleared and occupied by a number of other state organizations; to this end, many former shops have been remodeled and merged to create larger premises. In the 1930s, for example, a canteen, a printing shop and even several communal apartments (so-called kommunalkas) were built in the building, with the latter surviving there until the 1960s. The building retained the name GUM even during this period, although it was officially no longer a department store.

Largely spared the German bombardment of Moscow during World War II, the GUM was nevertheless threatened with demolition for several years in the late 1940s after leading Soviet architects of the time, commissioned by Stalin, designed a plan for a huge sculpture commemorating the victory over Germany had worked out. Since this was to be right in the heart of the capital, i.e. on Red Square, but the square itself was to remain free for military parades and celebratory demonstrations, the plan envisaged the final closure and demolition of the department store. Shortly after Stalin's death in 1953, not only was the demolition plan rejected, but the USSR Council of Ministers also decided to reopen the GUM as a department store. According to oral tradition, this happened on the initiative of the party functionary and later head of state Nikita Khrushchev, who wanted to revive the GUM as a model department store. The renovation of the building and the conversion of the interior began immediately, during which, among other things, a large number of smaller shop cells were merged into large halls. The conversion work progressed very quickly, so that the house was able to reopen on December 24, 1953.

 

From the reopening to today

From its reopening to the collapse of the Soviet Union, GUM retained its reputation as the country's flagship department store virtually unchallenged. While the shortage of goods that is typical of socialist countries ensured that only an extremely poor range of consumer goods was to be found in ordinary shops, department stores and department stores of the Soviet Empire until the early 1990s, at the same time there was a secret one in the GUM that was not available to the public accessible department in which high-ranking civil servants and their relatives could buy high-quality clothing, some imported from the West, and other so-called deficit goods. Surplus stocks kept coming back to the generally accessible departments, to the delight of ordinary consumers. This in turn led to long queues forming in front of the GUM entrances every morning, hours before it opened, as many ordinary citizens – often traveling from other cities in the Soviet Union – hoped to get hold of one or the other scarce commodity . The fact that such scenes took place in the heart of the Soviet capital of all places, directly opposite the Kremlin and the Lenin Mausoleum, was a thorn in the side of conservative-minded statesmen in particular and even led to renewed plans for the closure and demolition of the building in the late 1970s warehouse. According to a modern legend, the GUM owes its existence only to the personal intervention of the head of state Leonid Brezhnev, whose wife Viktoria was a regular customer of a tailor's shop there.

The collapse of the Soviet Union and the subsequent privatization of state property in Russia ushered in new times for the GUM. As early as December 1990, at the time of perestroika, the operating stock company Warenhaus GUM was founded. The formerly state-run sales area of the department store was gradually rented out to various private retail companies. The name was adapted to the new circumstances: The old, familiar abbreviation GUM remained, but since 1990 it has stood for Glawny Uniwersalny Magasin (Russian Главный Универсальный Магазин), i.e. main department store instead of the previous state department store. In June 1993, the now privatized department store celebrated its 100th anniversary with a folk festival lasting several days and a ceremonial procession on Red Square staged in the style of the late 19th century. A little later, the central GUM entrance from Red Square was reopened after around 40 years. In Soviet times, it was closed to the public as the authorities wanted to prevent crowds and queues from forming right on Red Square and spoiling the image of the Soviet state in the eyes of foreign tourists.

In the following decade, the GUM went through a development from a former socialist department store to an elegant shopping temple. The building itself was also extensively renovated from the late 1990s to the mid-2000s and its interior redecorated. In addition to the installation of escalators and lifts for the disabled and the renovation of the fountain, shopping arcades were created on the second floor, which was previously used exclusively for offices. There are also plans to remodel the basement for future use as a retail space.

 

The GUM in art

In 1963, the GUM department store was one of the scenes and locations of the well-known Soviet feature film Zwischenlandung in Moscow (also: I walk through Moscow, Russian Я шагаю по Москве) with the then 18-year-old Nikita Mikhalkov. In one scene, as a young worker, Kolja, he and his friend Sascha, who is about to get married, are looking for a new jacket for him. The GUM is also mentioned in a song by the famous Soviet poet Vladimir Wyssozki: A collective farmer who is on a business trip in Moscow writes to his wife in the village that he is going to the GUM - "It's like our barn, only with glass". - to buy a dress for her, "... because you can get boring to me with your sheepskin and gray dress with faded patterns".