Swedish Church (Church of St. Catherine), Saint Petersburg

Malaya Konyushennaya st. 1-3B.

The Swedish Church, formally known as the Evangelical Lutheran Church of Saint Catherine (Russian: Шведская церковь Святой Екатерины), is a historic Lutheran church in Saint Petersburg, Russia. Located at 1-3 Malaya Konyushennaya Street in the city's central district, it stands near the bustling Nevsky Prospect and adjacent to the Swedish General Consulate. This church has served as a spiritual and cultural center for the Swedish community in Russia for over three centuries, reflecting the intertwined histories of Sweden, Finland, and Russia. It is often referred to simply as the "Swedish Church" due to its origins with Swedish expatriates and its ongoing ties to Swedish heritage. The building is recognized as an architectural monument and continues to host religious services and cultural events.

 

History

The church's roots trace back to 1632, when an Evangelical Lutheran parish was established in the Swedish fortress of Nyen (Nyenskans) on the Neva River delta, serving Swedish-speaking Finns and other Scandinavians in the region. Following Russia's conquest during the Great Northern War (1700–1721), the Swedish inhabitants were resettled in the newly founded Saint Petersburg in 1703, where the parish initially met in private homes. In 1730–1734, Empress Anna Ivanovna donated land on Bolshaya Konyushennaya Street, leading to the construction of a wooden church dedicated to St. Anne.
In 1745, the congregation split along ethnic lines: the Finnish members retained the Church of St. Anne (later relocating to form the Church of St. Mary on Bolshaya Konyushennaya), while the Swedish group established a prayer house on Malaya Morskaya Street. A stone church was built on the current site between 1767 and 1769 by architect Yuri Matveyevich Felten in a classical style to meet the needs of the Swedish Lutheran community. This structure was replaced in 1863–1865 with the present building, designed by Swedish architect Carl (Karl) Andersson (also spelled C.K. Andersson or Karl Anderson), who was born in Sweden but worked in Saint Petersburg. Funding for the reconstruction came from parishioners, Emperor Alexander II, and Swedish Count Armfelt, with interior work overseen by local architects at Armfelt's behest. The church was consecrated in 1865 and quickly became a hub, including orphanages for boys and girls, an almshouse, and a parish school.
By the early 20th century, membership had peaked at around 7,000, with about 5,000 members just before the 1917 Russian Revolution. Notable parishioners included jeweler Carl Fabergé, members of the Nobel family (including Alfred Nobel's father Immanuel), and future Finnish President Carl Gustaf Mannerheim, who married there. The church was a required stop for visiting Swedish royalty, such as Kings Gustav III, Gustav IV Adolf, Oscar II, Gustav V, and Prince Wilhelm. However, the Revolution disrupted operations; services continued sporadically until 1936, when Soviet authorities closed the church and repurposed it as a gymnasium and sports hall, complete with basketball courts and other modifications. During the Soviet era, archives were transferred to Sweden in 1938, and the building fell into disrepair.
Following the collapse of the Soviet Union and the 1990 law on religious freedom, the congregation was revived in 1991, registering as the successor to the 1632 parish and reclaiming the building. Evicting the sports school took until 2005, after which the congregation gained 49-year disposition rights. Renovations have been ongoing since the mid-1990s, supported by the Church of Sweden and Swedish diplomats, including discussions between Swedish Prime Minister Göran Persson and Russian President Vladimir Putin in 2001. The city handles exterior maintenance (e.g., roof), while the congregation manages the interior.

 

Architecture

The current structure, completed in 1865, is designed in a neo-Romanesque style with Byzantine influences, creating a monumental yet elegant and light appearance. The exterior features pale-colored facades that enhance its airy feel, rows of narrow arched windows for natural light, a prominent portal entrance, and a rosette window above it. The design avoids excessive ornamentation, emphasizing simplicity and spirituality to detach worshippers from worldly distractions. The church can accommodate up to 1,200 people, making it one of the larger Lutheran churches in the city.

 

Interior

The interior mirrors the exterior's Byzantine elements, with clean lines and elegant decor fostering a serene atmosphere. Key features include restored walls, ceilings, and windows, though some Soviet-era alterations—such as a divided nave and visible basketball markings on the floor—persist and are subjects of ongoing renovation debates. A notable addition is the modern painting "Mid-Summer Festival" by artists Daglat and Tatarnikov, added during recent restorations. The space is functional for worship, with an altar area that reflects traditional Lutheran minimalism.

 

Current Status and Use

Today, the church is an active part of the Evangelical Lutheran Church in Russia (ELC, formerly ELCROS), operating autonomously with fewer than 50 members, primarily Russians interested in Scandinavian culture rather than ethnic Swedes. Lutheran services are held in Swedish and Russian every second and fourth Sunday at 5:00 PM. It functions as an ecumenical hub, hosting Anglican English-language services and Korean Presbyterian gatherings, and is rented out to other groups for financial sustainability. Culturally, it celebrates Swedish traditions like Midsummer’s Eve and St. Lucia Day, and hosts events such as choral festivals, brass concerts, and art exhibitions. The Church of Sweden maintains loose cultural ties but no formal ecclesiastical control, viewing it as a symbol of Swedish presence in Russia. The adjacent Shvedsky Lane (Swedish Lane) derives its name from the church, underscoring its historical imprint on the neighborhood.

 

Pastors who served in the parish

Jacob Meidelin (until 1729)
Juhann Terne (1729)
Gustav Levanus (1730-1749)
Isaak Hugberg (1749-1783)
Emmanuel Indrenius (1784-1792)
Juhann Genrik Signeus (1793-1798)
Nils Adolf Donner (1799-1800)
Karl Tavast (1801-1825)
Erik Gustaf Ehrström (1826-1835)
Gustav Friedrich Zandt (1836-1881)
Lars Peter Reinhold Hofren (1881-1884)
Herman Kajanus (1885-1913)
Nils Arthur Malm (1913-1918)
Selim Hjalmari Laurikkala, (1932-1934)