Donskoy Monastery (Moscow)

Donskoy Monastery (Moscow)

 

Description of the Donskoy Monastery

Donskoy Monastery was found in 1592. The legend claims that a year before this site was the location of a camp of Russian soldiers who defeated hordes of the Crimean khan Kaza Giray. The camp had an icon of the Church of Our Lady of the Don. Thus a monastery was named after the icon as Donskoy. In 1592 a cathedral was constructed and dedicated to Our Lady Mother of Don. It became known as a Small Cathedral after a much larger Great Cathedral was constructed in 1684- 98. By the late 17th century the monastery got defensive walls with 12 towers.

 

Donskoy Monastery is famous as a burial place of the Moscow aristocracy. It is famous for the splendour of decoration of gravestones. Some of the statues have protective fences to keep away from the vandals.

 

 

The churches of the Donskoy monastery

Small Cathedral of the don icon of the mother Of God
The oldest temple-a monument to the Russian army in the monastery, built in the form of Moscow architecture of the XVI century. In its original form, it was almost square in plan, with three rounded apses. Its volume was completed by three tiers of kokoshniks, a light drum and a helmet-shaped dome. Later, by order of Tsar Fyodor Alekseevich, two side chapels were added to the Cathedral from the North and South — the great Martyr Theodore Stratilat and the monk Sergius. In the same year, a refectory was built from the West, a hipped bell tower was built in 1679, and the helmet-shaped dome was replaced with the existing head. At the end of the XVII century, the Cathedral and side chapels were painted by the master of the Armory, the painters Leonti Chulkov and Fyodor Evtiev. There are a number of graves under the Church, including a cast-iron slab over the ashes of field Marshal Nikolai Repnin. The main volume of the building is covered by a three-stage pyramid of kokoshnikov, ending with a dome on a slender drum. Restoration work carried out in 1950-1952, designed by art critic Nikolai Sobolev, restored the original forms of the temple's portals and Windows.

Grand Cathedral of the Donskoy monastery
It is the architectural dominant of the monastery. It was erected in 1698 and consecrated by Metropolitan Tikhon (Voinov) of Sarsky and Podonsky. Under the altar of the Cathedral in 1712, the Imeretian king Archil created a side temple of the presentation of the Lord — the tomb of the kings of Imereti, princes and princes of Georgia Dadians and Bagrations. In 1748, according to a drawing by Vasily Obukhov, a two-story sacristy with typical Baroque architraves was added to the Cathedral from the South. In 1752, on the contributions of the merchant Kuzma Zamyatin, cast-iron floors made of cast slabs with template ornaments were built in the Church, which have been preserved to this day.

The petal-shaped Cathedral is crowned with five gilded chapters — the large one in the center and four around, oriented to the cardinal directions. The main volume is surrounded by a wide two-tiered arched gallery. It is flanked on the West, North and South by three stair porches built on vaults supported by double pillars in arches.

The eight-tiered iconostasis of the Great Cathedral was created in several stages. In 1695, Karp Zolotarev created the two lower rows, and a year later Abrosim Andreev and Grigory Alekseev erected the "Apostolic" tier with carved decorations. In 1699, the iconostasis was completed by the same masters. Most of the icons belong to the XVII century, with the exception of the don icon of the mother of God — the end of the XV century.

It was consecrated on August 18, 1991.

Gate Church of the Tikhvin Icon of the mother of God
The main entrance to the Church is located opposite the Large Cathedral, on the North side of the fence. According to the historian Igor Grabar, its architect was Ivan Zarudny. Designed in the Moscow Baroque style, it has a star-shaped plan and four tiers. The upper level is separated from the interior space by vaults with open arches and is intended for a belfry. In this Church, Patriarch Tikhon was allowed to pray during his imprisonment. A cast-iron wrought-iron grating from the beginning of the XVIII century has been preserved near the porch. The iconostasis was erected in 1782 at the expense of Agrafena Tatishcheva.

 

Donskoy monastery-History

Muscovite period
The Donskoy monastery was built on the site of the mobile fortress of Boris Godunov and the field Church of St. Sergius of Radonezh with the icon of the don virgin painted by Theophan the Greek. Legend has it that Dmitry Donskoy took this icon with him to the battle of Kulikovo field in 1380, when the Tatars were defeated.

Initially, the Donskoy monastery was quite poor and had only a few monks. In 1629, the Donskoy monastery had 20 fields and 16 peasant yards (20 peasants in total). In 1612, it was captured for one day by the Polish-Lithuanian commander Jan Karol Chodkiewicz. In 1618, the Russian Streltsy defeated the Ukrainian Cossacks of Peter Konashevich under the walls of the monastery.

In the middle of the XVII century, the Donskoy monastery was attached to the St. Andrew's monastery. In 1678, however, its independence was restored, and the monastery received rich donations, including more than 1,400 peasant families. In 1683, the Donskoy monastery was raised to the Archimandrite level and received 20 tithes of nearby pastures. Vidogoshchi, Zhizdrinsky, Sorokinskiy and Zelenoborskiy monasteries was annexed to the don monastery between 1683 and 1685 years.
 
 
Imperial period
Since 1711, the vault of the Great Cathedral was used for the burials of Georgian princes from the Bagration family and German Dukes of the Dadiani family.

In 1724, the monks and property of the St. Andrew's monastery were transferred to the Donskoy monastery. By 1739, it already had 880 households with 6,716 farmers, 14 windmills, and several fishermen. In 1747, the authorities tried to transfer the Slavic Greek Latin Academy to the Donskoy monastery, but the monastery limited itself to paying salaries to academic staff from its own Treasury.

Archbishop Ambrose was killed inside the monastery during a Monstrous riot in 1771. In 1812, the French army captured the Donskoy monastery. However, they were not very lucky. The most valuable items were transported to Vologda before the arrival of the United European army. In the monastery by 1917, there were 48 monks and 2 novices.
 
 
The Soviet period and the modern times
After the October revolution, in 1918, due to changes in the state system, the Donskoy monastery, like many other religious institutions, was closed. Since 1922, Patriarch Tikhon of Moscow and all Russia was held under arrest in the former Treasury chambers at the Northern gate of the monastery. In December 1924, an attempt was made on his life, during which his cellmate Yakov Polozov was killed. Tikhon died a year later, on March 25, in the Bakunin clinic on Ostozhenka and was buried in the Small Cathedral. Shortly after the arrest of the Patriarchal Locum Tenens, Metropolitan Peter, in 1925, a meeting of ten bishops was held in the monastery under the chairmanship of Archbishop Gregory of Yekaterinburg, which formed the "Temporary Supreme Church Council", which marked the beginning of the Gregorian schism.

By 1926, the Donskoy monastery was listed in the Moscow Department of public education as an open to the public historical, cultural and household Museum. In the same year he was transferred to the control of the Museum Department Glavnauka. In 1929, the Museum was closed, the community was liquidated, and an anti-Religious art Museum began operating in their place. Valuable documents of the XVIII-XIX centuries from the monastery's archive were moved to the state archives — the Russian state archive of ancient acts and the Central historical archive of Moscow.

In 1934, the monastery was transferred to the Museum of architecture, which belonged to the Academy of architecture of the USSR. It brought details and sculptural fragments of many demolished structures, including the Cathedral of Christ the Saviour, the Sukharev tower and the Church of the assumption of the mother of God on Pokrovka. In the Church of the Archangel Michael, which was the tomb of the Golitsyns, arranged a sculpture Museum. In 1936, the dismantled Triumphal gate that stood on the square of the Belorussky railway station was brought to the monastery. They were reassembled and installed on Kutuzovsky Prospekt in 1967.

From 1946 to 1960, services were held in the Small Cathedral. During the Khrushchev persecutions, the Church was proposed to be closed, but Metropolitan Pimen of Krutitsky and Kolomna managed to save it, combining it with the Church of the rizpolozheniya on Donskoy. After that, it began to operate on holidays and on the days of Lent.

Modernity
On October 30, 1990, the Moscow city Executive Committee decided to transfer seven churches of the Donskoy monastery to the Russian Orthodox Church. In may 1991, monastic life was revived in the monastery. Archimandrite Agafodor (Markevich) was appointed the first vicar. In the same year, in honor of the 400th anniversary of the monastery, a procession led by Patriarch Alexy II took place there. In February 1992, during the renovation of the Small Cathedral, a coffin with the relics of Patriarch Tikhon was discovered. He was beatified, and his remains were transferred to the great Cathedral in raka. In 1998, services were resumed in the Church of Seraphim of Sarov.

In the 1990s, according to researchers, the historical appearance of the monastery was distorted by armored vehicles that survived the great Patriotic war and new buildings placed just outside the entrance gate. In the late 1990s and early 2000s, under the vicar Agafodor, the interior of the refectory of the Small Cathedral was painted by the artist Alexey Rossal-Voronov. For these paintings, the artist was awarded the Patriarchal award-the medal of St. Sergius of Radonezh.

In 2014-2016, the Small Cathedral was restored: the late roof structures of the refectory, aisles and Cathedral were replaced with new ones of historical forms, and the crosses on the bell tower and chapels were restored. The facades were painted in the color found during a full-scale survey, and the painted Windows of the XVI century were recreated.